Cycling IncubatorsLoek Luijbregts · Netherlands

Creators & influencer

Outdoor creators are becoming media businesses

A five-level maturity model, and why the old exchange — free gear for posts — no longer describes what a serious outdoor project involves.

Loek Luijbregts · 2 July 2026 · 2 min read

Outdoor creators are still approached with an old exchange: the brand provides equipment and travel, the creator provides posts. That works for a hobbyist who wants access. It is unrealistic for a professional production business. A serious outdoor project involves route research, permits, safety planning, photography, video, writing, editing, partner coordination, publishing, rights management, reporting and reputational risk. The visible post is the last fraction of the work.

The maturity model

1. Personal storyteller. Publishes their own experiences; brand work is opportunistic and product-led. The asset is personal enthusiasm.
2. Consistent niche creator. A recognisable subject, format and audience, delivered reliably. The asset is repeatable relevance.
3. Professional producer. Can scope and manage a production, protect quality and deliver licensed assets. The asset is production capability.
4. Trusted media partner. Connects story, partner needs, distribution and commercial action without breaking audience trust. The asset is trusted integration.
5. Creator-led media business. Owns formats, audience relationships, commercial systems, intellectual property and a partner network. The asset is a durable system.

Maturity is not follower count. A large audience can sit at level two, and a smaller creator can already operate at level four.

Morocco needed a connected story

Five days of gravel in Morocco needed six partners to become useful parts of one credible rider experience, designed and self-produced as a mobile-first field story, with products appearing because they solved real needs rather than for logo time. Six integrated partners, five days, 1.9 million impressions, no ad spend. The valuable capability was not filming while riding. It was designing a story where several commercial partners stayed relevant without interrupting the audience.

What professional creators need from brands

A real brief with a business objective, an audience and constraints — "create something authentic" is not a brief. Useful access. Appropriate payment, with production, distribution, exclusivity, travel and usage rights separated, because free gear is not universal compensation. Editorial space. And a measurement path.

What brands should expect back

A clear proposition and professional scope. Transparent audience and performance evidence. Reliable delivery. Clear rights, disclosures and conflicts. Responsible safety and environmental choices. And honest reporting, including the parts that underperformed.

The stronger direction is fewer, deeper partnerships: a smaller portfolio of creators who understand the product, the audience and the business well enough to build repeatable value. Creators should ask what they own and improve after the campaign ends. Brands should ask what capability they are building with this creator beyond the next post.

Also published in Dutch on loekluijbregts.com, where the same thinking is applied to owner-led companies outside cycling.

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